Rock N Roll

RNR at NAMM

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First off thank you to every one that joined us at NAMM and the NAMM JAM we had some great bands come by the booth this year and got to meet some really cool companies! Below are some of the photos from the fun that took place… NAMM of course is to big and has so much going but please enjoy these galleries of some of the happenings of NAMM and tell next year!

If you joined us on the Red carpet that night please check out all the carpet pics here
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Meshuggah Listening Party @ Affliction Studios

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There is no better way to start off your week with an official Metal Monday listening party for Meshuggah at the Affliction Studios in Seal Beach. Monday’s always drag, but not this past Monday when I was invited to hear the new 8th studio album by tech-metal pioneers Meshuggah. The album will be released October 7th on Nuclear Blast Records, but tonight around 50 lucky people were invited to hear the whole album before the rest of the world. Jose Mangin is the ultimate metal host. He makes sure your bellies are full from tacos by Borracho Taco and endless Modelos. Plus his signature jalapeño cucumber infused Riazul Tequila. Jose and his wife Melissa probably refilled the margarita station four times before the end of the night. The guests were going through it like water. It was so tasty and the next day I did not have a hangover. The night was filled with familiar faces like the band members of Kyng, Sen Dog of Cypress Hill and the drummer of Exmortus plus other familiar industry folk. After we got settled and feeling good, Jose Mangin came down to introduce Tomas Haake the drummer of Meshuggah. He the main songwriter for Mashuggah and is known for his polyrhythm’s and technical ability.

Tomas said a few words about the album. He said this album was recorded live.  There is rawness and an organic element to it because the band was together playing in one room at one time as opposed to in separate places sending their instrumental parts to one another. The album was engineered by Tue Madsen of Puk Studios in Kaerby, Denmark. The new album is called The Violent Sleep Of Reason will be well worth the wait and different from anything the Swedish tech- metal band has done before.  This new album is also inspired by a Goya painting called The Sleep Of Reason Produces Monsters. The album packs a powerful punch and keeps you interested from beginning to end. It was another great party at the Affliction Studios and I can’t wait till the next one. Make sure to pick up The Violent Sleep Of Reason released by Nuclear Blast Records on October 7th!

Check out:

http://www.meshuggah.net

https://www.afflictionclothing.com

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By Raquel Figlo

“The Yellow King” : Interview with Erik Kluiber of Ironaut

 

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Here is the full length interview with Erik Kluiber, lead singer and bassist for Ironaut from the current issue of RNR Magazine. They are getting some killer reviews and building quite the fan base! They just played Loaded last night in Hollywood. If you missed them, you have a chance to check them out in March on the following dates:

Friday March 4th
at Scotland Yard Club with
Taarkus
Beastmaster
Ironaut
Black Prism
Monday March 21st
Metal Mondays at Blacklight District Lounge with
Red River Massacre
Grand Lord High Master
Ironaut
Malison
Atala
Thursday March 24th
Viper Room with
Black Tusk
Holy Grail
Ironaut

 

Check out their music video “Horned Goat.”

Since the days when he was the guitarist for Gypsyhawk, a lot has changed for Erik  Kluiber, who now fronts Ironaut, a heavy doom metal band! Earlier this year, I saw Ironaut perform at Loaded in Hollywood. At the time, the band was strictly instrumental and I could tell these were seasoned musicians with lots of talent and passion. Recently, Erik stepped up to the plate as the band’s lead singer and now Ironaut is causing a colossal wave for the doom stoner metal scene in LA. They can definitely be the next pioneers for the movement and they have a great shot with the support of legendary producer Paul Fig, who is engineering their upcoming EP. Ironaut is a three piece band of skilled musicians who play intense guitar solos, thunderous drumming and dark, disturbing lyrics from the mind of the yellow king, himself.

This was the second time I interviewed Erik. The first time was when he was with Gypsyhawk in 2013. You can see that interview on the Rock ‘N Roll Industries YouTube Channel (https://www.youtube.com/Rocknrollindustries)

RNR:  What is the history of the Ironaut?

ERIK KLUIBER: In late summer of 2014, I was the guitarist for Gypsyhawk who had just disbanded.  I had to start all over again, so I went back to Craigslist and started searching.  Many people despise Craigslist, but I’ve actually had a lot of success with it.  I’ve landed a lot of gigs through it including White Wizzard, Scattered Hamlet, Gypsyhawk, and now Ironaut.

Guitarist Pat McHugh had an ad listed for a band he’d been demoing for years called Ironaut.  His ad caught my eye because of the influences, artwork, and original recordings he posted online.  He needed a bass player, so I picked up a bass and learned four of his tunes.  We got together with a drummer he had at the time and it was alright, but nothing really happened.  We kept in touch and tried jamming again in early 2015. That’s when we found drummer Ivan Najor and things clicked.  We wrote a bunch of tunes and started playing instrumental shows while we looked for a vocalist. After six months of not finding anyone to sing for us I said, “Fuck it – I’ll do it,” and here we are.

RNR:  Who writes the songs and what are they about?

ERIK KLUIBER: For the album, two of the songs are reworks of Pat’s instrumental demos while the other three were written collaboratively at our practice space, one riff at a time.  After six months of jamming and playing out, we stopped writing music because we got way too far ahead of ourselves.  It was not our intention to write endless instrumentals.  Once I took on vocal duty, we went back and reformatted our stoner progressive metal instrumentals into songs.  Pat and I worked together on lyrics for the first three.  Once I got the hang of it, I took over and finished the remaining two on my own.  Pat draws from stoney cosmic overtones and I like to inject dark sarcasm fueled by Facebook rants and coffee binges.

RNR: You are working with well known producer Paul Fig who has worked with great metal and rock bands such as Alice in Chains, Huntress, and Ghost. Tell me about Paul and what was the conception of the album and recording of it like?

ERIK KLUIBER: Paul Fig is an amazing producer/engineer who I never thought we’d have the chance to work with. That’s the beauty of this town.  On St. Patrick’s Day this year, I was part of a music video that producer Jim Rota of Fireball Ministry was working on.  Around that time Ironaut was looking to record a demo, but the studio Pat used previously had lost its lease.  I asked Jim if he had a studio to recommend and he said “Yeah, mine.”  Ironaut was initially thinking of recording a longer instrumental album, but we gave my voice a shot and made the switch to a three piece band with vocals. Two months later we booked the time with Paul and went for it.

Paul recorded us playing live without a click track to capture the feel of Ironaut’s sound.  We recorded many takes of each song.  We recorded over and over until the song found its peak and then recorded a few more takes until we started to suck.  The first two days were spent finding the tones and recording the live takes.  We kept the drums and most of the live bass.  We spent the next few days on guitars, and then about 3-4 hours per song for vocals.

There was a good team chemistry between the four of us with Paul at the captain’s chair.  That’s important, because time is limited in the studio and you can second guess yourself to death.  Paul stepped in when we needed him and helped us make decisions to make sure the album came out right.  The dude knows heavy music and isn’t going to let a sub-par performance slide under his watch.

RNR: You started off as an instrumental band. Now you are the lead singer and playing bass, is it difficult to do both? Has the style of the music changed since you added vocals, or is it the same?

ERIK KLUIBER: When you start writing songs as instrumentals and then go back to fit in vocals, you hear things differently. The style is still the same, but we had to rearrange the songs for them to be effective. I like how things turned out because the structure of the songs are still unconventional and interesting.  It’s not easy to play and sing, but it’s been a mind expanding challenge.  I never thought I’d be playing bass and singing for a band, but it seems to work.  Necessity is the mother of invention.

RNR: What are some of your pet peeves?

ERIK KLUIBER: You can’t wait forever to make things happen.  I’ve been in bands that take an eternity to do the simplest shit.  It’s like, what the fuck is the fucking problem?  You’ve got to have forward momentum, always.  I’ve got better things to do than sit around in a tiny room and smell other guy’s farts when the music isn’t happening.

RNR: What do you want fans to know about your music before they listen to it?

ERIK KLUIBER: Some of our favorite bands are Entombed, High on Fire, COC, and The Sword.  I think there is a group of heavy music fans who will enjoy what we do.  It’s metal with a stoner/doom edge but, at the same time, high energy with solid riffing.  Our album should be out and free to stream by the time this interview is printed.

RNR: How is Ironaut different from your previous bands?

ERIK KLUIBER: I’ve never been in a three piece before and there is purity to it, which I find exciting. We thought for a while that we’d find a bassist and a singer, and I’d switch over to guitar like every other band I’ve been in.  After a few rehearsals, we found that the three of us made plenty of noise on our own and it was fun.  It sounds tight and less people equals less stress!  The three of us are all from the Great Lakes region.  Pat’s from Chicago, and Ivan and I are from Detroit…  Three kindred souls far from home, found together by chance, perhaps in the right place at the right time.

RNR: What is your own personal favorite album of the year?

ERIK KLUIBER: My favorite album of 2015 is Ghost – Meliora

RNR: Anything else you want to tell your fans and our readers?

ERIK KLUIBER: Check out Ironaut at www.facebook.com/ironautmusic

Raquel Figlo

 

Metal Allegiance Plays Loud and Fast in Honor of the Late Ian “Lemmy” Kilmister

 

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January 9th was a day of celebration and mourning for the recent loss of Ian “Lemmy” Kilmister, former frontman of the band Motorhead, who passed away two weeks ago of terminal brain and neck cancer. The official memorial service was streamed live at the Rainbow Room in Hollywood, California and the Sunset Strip was packed with fans, rock stars, friends and family who all came out to pay their respect to the rock ’n roll legend.  The all-star band Metal Allegiance, previously scheduled at the Whisky a Go Go that night, was asked if they would play a tribute to Lemmy and they agreed.

While Metal Allegiance is an all-star metal band created by Mark Menghi and his friends David Ellefson (Megadeth), Alex Skolnick, (Testament), and Mike Portnoy (Dream Theater, The Winery Dogs), this particular night was the ultimate metal jam in tribute for Lemmy with Mark Osegueda (Death Angel), Phil Demmel (Machine Head), and Troy Sanders (Mastodon). Additional guests included Corey Taylor (Slipknot), Andreas Kisser (Sepultura), Dave Lombardo (Slayer), John Tempesta (The Cult), Mike Tempesta (Powerman 5000), and Mikkey Dee (Motörhead).

Metal Allegiance took the crowd by storm opening up with Electric Eye by Judas Priest, lead by Mark Oseguda. Mosh pits broke out and the packed house at the Whisky was going nuts enjoying their metal idols singing their hearts out. Metal Allegiance also played songs from AC/DC, Van Halen, Sepultura, Metallica, Accept and Black Sabbath, but that was just the beginning. Then they played some of their songs from their recently released self-titled album and then got right into Motorhead songs. They played Killed by Death that got the crowd in frenzy, Ace of Spades and The Chase is Better than the Catch.  A very emotional highlight of the evening is when Mikkey Dee former drummer of Motorhead came out on stage and had everyone bow their heads for 15 seconds to show their respect for their fallen member.  Then the celebration continued with MotorHead classics and ended with a very loud Seek and Destroy by Metallica!

Two of the opening bands were Doll Skin and Cage. The girls in Doll Skin are very talented, sounded great and had killer voices, cute haircuts and bad ass attitudes! The next band Cage, sounded great as well. The vocals on Sean Peck (lead singer) were high and mighty and reminincent of Rob Halford of Judas Priest.

Lemmy touched the hearts of many musicians and it showed that night how much he was respected and idolized as a great friend and fellow Rock n’ Roller. Live Fast, Die Old. Rest in Peace Lemmy Kilmister.

By Raquel Figlo

Devilskin and Tracii Guns LIVE at the Whisky a Go Go April 29th!

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Devilskin photos by Enrique Nunez

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As a music blogger I have the opportunity to interview and check out new bands as I try to support the music scene as much as I can. When I was asked to interview New Zealand band Devilskin, who opened up for legendary musician Tracii Guns, I jumped on the opportunity and did as much research as I could to see what this band was all about. They definitely lived up to their reputation as arena rock performers.

Devilskin is a Rock/metal band from Hamilton, New Zealand that was formed in 2010 by lead guitarist Nail and bassist Paul Martin. Jennie Skullander is the lead vocalist who is not only gorgeous but has amazing vocal range and can growl with the best of them. Drummer Nic Martin is not only the youngest member of the band but he is also the son of Paul Martin. Imagine going on tour with your dad? Nic’s an excellent drummer with lots of energy who hits the drums with great power and precision. The band debuted their album “We Rise” in July 2014 and it entered the national charts in New Zealand at number one and became certified gold. Super impressive!

Performing at the Whisky a Go Go on April 29th was their first LA show and they nailed it! The crowd’s reaction was positive and from the look on everyone’s faces they were impressed by Devilskin’s performance! You can check out their videos on YouTube and one of my favorite songs already is Little Pills because of the melody and heavy riffs. A lot of the songs they sing have depth and meaning, something you can relate too. You can read my full length interview with Devilskin in the next issue of Rock ‘N Roll Industries Magazine.

I was hanging out upstairs by the bar waiting for Tracii Guns to take the stage when Rudy Sarzo walks up and, of course, I had to stop him and take a photo! He is so nice and a killer bassist. For those who don’t know he was in Quite Riot and Ozzy Osbourne. He has had quite the career and he still is playing bass and killing every performance. You can catch him all over rock venues in LA! However, I am glad to see him sharing the stage with Tracii Guns formally of LA Guns! When Tracii Gun’s band started to play I couldn’t help but notice the lead singer Keith St. John because he is very charismatic. His stage presents reminds me of Robert Plant back in the 70’s and he has the vocals and the look of a rock star. Tracii Guns is just the ultimate shredder on the axe! He really put on a great performance that night and did it with great passion and energy. The night had a special surprise when 11 year old drumming prodigy Jagger Alexander-erber took the stage. He was on the television program Australia’s Got Talent. His parents were in the audience grinning ear to ear as he played a Led Zeppelin song with the band. He shocked the whole audience how incredible he was. Tracii gave Jagger a hug when the song ended and was super impressed, himself, by the performance! It was a great night for Rock N Roll!

By Raquel Figlo

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3/17/15 Soulive w/Chris Robinson Brooklyn Bowl -NY

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See Slideshow for more pictures!

Photos by: Joe Russo

 

 

 

 

 

Adopt the Arts: Honoring Billy Gibbons & Butch Trucks

Rock n roll’s elite graced the red carpet and the stage at the Roxy, on January 12th , to raise money for music education at the first annual Adopt the Arts Charity event. Those in attendance  included Billy Gibbons (ZZ Top), Butch Trucks (The Allman Brothers), Slash, Duff McKagan (Guns ‘N Roses, Velvet Revolver), Richie Sambora (Bon Jovi), Steve Lukather (Toto), Edgar Winter, Jimmy Vivino (Conan O’Brien), Frankie Perez, and Adopt the Arts co-founder Matt Sorum (Guns ‘N Roses, Velvet Revolver). The backing band for the evening was The Disreputable Few. Orianthi walked in holding hands with Richie Sambora, both wearing stylish hats, and there was lots of bling flashing around everyone’s necks. These rock stars don’t age, they looked better than ever!

 As I walked in to the delicately lighted room and past the auction items, there were chairs where people would usually stand. Once I sat down, a friendly server brought some appetizers. The catering for the event was delicious.

The show began with Matt Sorum talking about Adopt the Arts and how important music education is to both our youth and society as a whole. His co-founder Abigail Berman shared a few words, herself, and statistics about the decline in music education in California schools. Sadly, only one out of ten kids get an arts education.

They strongly pushed the message that the purpose of the evening was to raise funds for music education and to have fun doing so. And they raised a lot of money. During the intermission they auctioned off signed guitars, original photography and Matt Sorum’s signed drum heads. At one point the audience started making donations. I heard two $5,000 donations, $500 donations plus other smaller amounts. This was what the event was all about, donating for music education and about giving back to the arts, the concert was a bonus.

It was sold out with good reason. The honorees of the night were Rock and Roll Hall of Fame inductees Billy Gibbons, lead guitarist of ZZ Top, and  Butch Trucks, one of the founding members of the Allman Brothers Band. These men are legends and to see them on stage and play in an intimate venue like the Roxy is an experience I will never forget.

Billy played all the classics and my favorite song, Cheap Sun Glasses. Highlights of the night included Edgar Winter playing the blues alongside Billy Gibbons, Richie Sambora jamming shoulder to shoulder with his lovely lady Orianthi. They looked and sounded great together!  Matt Sorum turned in his drums for the bongos for selected songs and did a great job getting the audience into the mood. The night was pure rock and roll and soul!

Something that touched me is when Butch Trucks talked about music’s impact on his life growing up. He said he was in marching band eighth grade through high school. He added that he is now 67 years old and sometimes it is hard for him to climb the three steps to his drums, but when he starts playing he feels like an 18 year old super hero. He added, “With music, you don’t need your head… you feel it!”

The concert continued with hit classics from the Allman Brothers. The Grand Finale was all the rock stars jamming out together in unison. It was star studded event that will go down in history! It was the first live event to have a full 360 view that viewers could watch online. It was also the first event like this for Adopt the Arts and I was a part of it!

Adopt the Arts Foundation really hits home with me. At the age of 7 I started playing the piano. I also took violin and cello lessons. It  was really cool to learn how to play those instruments and play along with other students. As I grew into my teens I fell in love with rock n roll and metal. I started playing guitar at age 14 and I played all through high school and spent many Friday and Saturday nights at home with my guitar. As an adult I still sit with my original Fender guitar and play my favorite songs. I never made it to rock star status but I love music so much that I found away to be in the industry as a music journalist.

Programs like Adopt the Arts are vital to help develop well rounded individuals. Playing those instruments as a young child taught me discipline, responsibility, gave me confidence and it made me feel good about myself! It is sad and disturbing to hear that music and art budgets have been cut back drastically in California. As a society, we need to support non-profits such as Adopt the Arts. We have to show the youth the future is not just the internet and the latest technology, it’s about self expression and raw emotions. And music education highlights these very important qualities.

About Adopt the Arts
Founded in 2010, Adopt the Arts Foundation brings together well-known artists, public figures, and the general public to save the arts in America’s public schools. Co-founders Abby Berman and Matt Sorum believe that it is morally and ethically incumbent upon the public-at-large to foster the creativity, dreams, hopes, and imaginations of our children. Adopt the Arts is dedicated to improving the academic performance of every child through the gift of making art and music available to public school students. In 2011, Adopt the Arts chose Rosewood Avenue Elementary (West Hollywood, CA) as its pilot school, working directly with the principal and the booster club to ensure that the students receive exposure to all the arts disciplines, including music, dance, theater, and visual arts. Adopt the Arts is paying the salary of the music teacher and has outfitted a music room with donated keyboards, guitars, and drums. With the help of the arts education branch of LAUSD, Adopt the Arts is identifying the most underserved schools in the district as it prepares for its next series of adoptions. In September 2012, Adopt the Arts donated 1,000 musical instruments (i.e. drum kits, keyboards, guitars, bass guitars) to LAUSD elementary schools. Each school site is available to be “adopted” by anyone that wants to help—whether a business, a working artist, celebrity or public figure—to underscore the importance of community involvement. As of December 2014, Adopt the Arts has now adopted Westminster Elementary School in Venice, CA and their music program will begin at the school in January 2015. (adoptthearts.org)

Story by Raquel Figlo

That Metal Show: On the road and in your Face!

 

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That Metal Show (TMS) hit the West Coast on Friday, August 22 at Hollywood’s Whisky A GO GO with Don Jamieson, Jim Florentine and the “rain man of rock” himself, Eddie Trunk. DJ Will of KNAC.COM Radio who also worked on the show was there as well to join in the shenanigans.

“Since the production of the TV show moved back to the East Coast, The hosts doing these “tours” is a great way to keep the awareness out there of That Metal Show while it runs in repeats,” said DJ WILL. “In these instances there’s no filming, just comedy, music, stories and Q&A from Don, Eddie & Jim with the many fans that come out.”

The Whisky was filled with entertainment and lots of crowd interaction, as Eddie Trunk shared stories then Don and Jim each did their comedy routine. Jim and Don are hilarious; they have different styles and are funny in their own unique ways. Don is sponsored by both Cold Cock and Monster, he joked about Cold Cock whisky and Monster Energy together becoming “Monster Cock.” It was pretty funny. You can tell that Jim Florentine is a total East Coaster: a real man’s man. He made several jokes about how wrong it is when dudes text each other!

After the comedy sets, all three came back on stage to answer questions from the audience regarding TMS. Eddie made it very clear that there shouldn’t be any trivia questions yet until “Stump the Trunk” at the end. The audience didn’t get it at first and kept asking music trivia questions anyway. Eddie of course was annoyed.

Highlights of the evening were dUg Pinnick of King’s X and Brian Slagel CEO/founder of Metal Blade Records (he put Metallica on the map) being called up to the stage to help with “Stump the Trunk,” the game we were all waiting for! The crowd was cheering and yelling out who knows what.  Jim announced that DJ Will would play the part of Miss “Box of Junk,” when Eddie stopped and said, “Why would we have him do it, when there are plenty of hot chicks in the audience!” I screamed, “Pick me!” from the front of the stage. Eddie, who I interviewed last year, said, “How about Raquel come up and be our Miss Box of Junk?” It’s a pretty cool feeling when TMS and Brian Slagel wave to you from the stage and know you by name. The crowd however showed Eddie no mercy and asked questions that were all over the place, all of which couldn’t be fact checked as it is for the TV show. He answered a majority of them correctly, but he still got stumped several times. At times he would ask Brian Slagel and dUg Pinnick for an asisst answering some of the ultra obscure questions. After “Stump the Trunk,” Eddie thanked all his guests and introduced the bands which were coming up next.

The bands that played were The Hard Way, Resistance, Siren & Drop 8. Eric Jeffrey, lead singer of Hard Way said, “The crowd was loud & rowdy. Eddie Trunk and the boys put on a great show and when we hit the stage, everybody was ready to party! There is no better crowd than who we had that night. I also want everybody to know that WE SUPPORT LOCAL MUSIC! If you want great music, you HAVE to support the players that write it, produce it, release it & perform it.”

I agree you have to support you local music scene. The people that came out to the show were true hard rock, metal fans and fans of the show. The LA metal scene is small, if you think about it. Everyone knows everyone, and somewhere each person has played a part in the history of the LA metal scene. DJ Will got his start at Metal Blade as did metal producer Bill Metoyer who was also in attendance.

I asked Bill what his history was with Metal Blade Records. Bill said, “I met Brian Slagel after he released Metal Massacre I (MM1). I had just produced my first band called Dietrich, who would appear on the follow-up (MM II). The label has certainly come a long way since the days being run from Brian’s mom’s garage. I am currently producing the new Resistance album. (who performed tonight) I had seen the band play live a couple of times and were impressed by them. They contacted me through Facebook and asked me if I would be interested in working with them on their new record and I jumped at the chance to do so.”

As the bands continued playing, Don and Jim were upstairs selling their comedy CD’s and taking photos with their fans. I bought Jim Florentine’s “Terrorizing Telemarketers” and Don Jamieson’s new release “Hell Bent for Laughter” on Metal Blade Records. Rumors has it that Season 13 will begin taping in February 2015. I hope so. I really love TMS and love how it does a great job at educating the main stream on metal and hard rock. There are tons of metal heads out there and TMS gives us a voice and helps make “metal” a household brand to Middle America as well as slowly being accepted (again) into pop culture.

Many fans who came out to support the three-night West Coast TMS Tour did so because they feel some kind of connection to the hosts. The LA metal scene has played a great role in metal music and those individuals who made a difference or were involved in the beginning are still contributing in some form and I hope TMS continues to do so and give its fans the opportunity to see another side of the cast and give them a chance to interact and meet. I have high hopes that VH1 will bring the show back in 2015 for another season. It’s that good!

 

– That Metal Show http://www.vh1.com/shows/that_metal_show/series.jhtml

 

– Eddie Trunk http://www.eddietrunk.com/

 

– Don Jamieson http://www.donjamieson.com/site/

 

– Jim Florentine http://www.jimflorentine.com/

 

– DJ Will http://www.metaldjwill.com/

 

– Metal Blade Records http://www.metalblade.com/us/

 

– King’s X http://www.kingsxrocks.com/

 

– The Hard Way http://websitesbycreation.com/thehardwayband/

 

– Resistance www.reverbnation.com/resistanceusa

PRONG COMES TO HOLLYWOOD & ORANGE COUNTY!

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Whisky A Go Go and Grove of Anaheim Kick Off North American Tour

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Fresh off their European festival summer, New York Metal mainstays PRONG is opening up their North American Tour September 10 at Hollywood’s Whisky A Go Go before moving south on September 12 to the Grove of Anaheim. The tour is in support of their latest release Ruining Lives which was released earlier this year by SPV/Steamhammer.  The tour runs through October 14th in San Francisco.  Many of the dates will see PRONG playing alongside thrash masters Overkill.  Following a quick break the band will be taking part in Slipknot’s “Knotfest” October 25th in San Bernardino, CA.

 

The band recently completed filming on a new video for the song “Remove, Separate Self” (taken from Ruining Lives).  Brian Cox and Marcelo Palomino directed the video, and it is receiving its exclusive premiere today on Loudwire.  Check it out HERE.

 

Tommy Victor: “PRONG has made a video for the song “Remove, Separate Self”, the new single from our recent LP Ruining Lives.  The song and the video are distinctively PRONG, with a soul-searching and apocalyptic vibe.  As a follow up to “Turnover” we will release it on 7″ vinyl as well.

The single and video will correspond with our U.S. /Canada tour starting Sept 10th through Oct. 14th (see www.prongmusic.com for the dates).

Enjoy the video and we’ll see you out on the road!“

 

SPV/Steamhammer will be releasing a new digital and 7” single of “Remove, Separate Self”.  There will be two versions of the digital single which will be released September 12th.  The 7” will be released on October 24th. The standard version of the single will include the following tracks:

 

1. Remove, Separate Self (album version)

2. “Separate Self, Remove” inspired by and created from “Remove, Separate Self” by Prong (Matt Heafy de-mix)

 

Matt Heafy about the „de-mix“ he created: “With “Remove, Separate Self” – I was initially engulfed by hints of images and characteristics of a futuristic, dystopian world. Whether that was the initial intent of the piece or it was meant to be something entirely different, that became the feeling I kept coming back to. Perhaps with the main line – the title itself – the idea of “separating yourself” made me think of unplugging oneself from something larger; whether metaphorically from an old way of life or literally in some sort of mecha-future. The idea was to take it one step further, to take the song itself, components of it, and a few secret ingredients, and create that world a little further that I imagined in the first place. Sometimes “remixes” do it right, but I wanted to take a completely different approach to what people think a “remix” is in the first place, even one’s idea of what a song should sound like.“

 

The exclusive iTunes edition of the single features a bonus track, which is a version of “Snap Your Fingers, Snap Your Neck”.  This song was taken from PRONG’s “Unleashed in the West – Official Bootleg”.

 

Ruining Livesis the follow-up to the acclaimed 2012 release Carved Into Stone and continues to show the band on an upward trajectory, proving that despite having a long, illustrious career PRONG can still make records that matter and re-invent themselves without negating their roots.  If you have not picked up a copy yet, be sure to get one on Amazon or iTunes.

 

PRONG North American Tour:

9/10: Los Angeles, CA @ The Whiskey

9/11: Las Vegas, NV @ LVCS

9/12: Anaheim, CA @ The Grove

9/13: Tempe, AZ @ Club Red

9/14: Albuquerque, NM @ Launch Pad

9/15: Oklahoma City, OK @ The Chameleon*

9/16: San Antonio, TX @ Backstage Live

9/17: Houston, TX @ Scout Bar

9/18: Dallas, TX @ Trees*

9/19: Merriam, KS @ Aftershock

9/20: Milwaukee, WI @ The Rave*

9/21: Joliet, IL @ Mojoes*

9/22: Cleveland, OH @ Agora Ballroom*

9/23: Toronto, ON @ Opera House*

9/24: Quebec City, QC @ Imperial de Quebec*

9/25: Philadelphia, PA @ The Trocadero*

9/26: Hartford, CT @ Webster Theater*

9/27: Sayreville, NJ @ Starland Ballroom*

9/28: Worcester, MA @ The Palladium

9/29: Albany, NY @ Bogie’s

9/30: New York, NY @ Gramercy Theater

10/1: West Springfield, VA @ Empire

10/2: Pittsburgh, PA @ Smiling Moose

10/3: Westland, MI @ Token Lounge

10/4: Kokomo, IN @ Centerstage

10/5: Louisville, KY @ Diamond Pub and Billiards

10/7: Denver, CO @ Bluebird Theater

10/9: Seattle, WA @ El Corazon

10/10: Vancouver, BC @ Rickshaw Theater

10/11: Portland, OR @ Hawthorne Theatre

10/12: Boise, ID @ The Shredder

10/14: San Francisco, CA @ Thee Parkside

 

*With Overkill

 

KNOT Fest

10/25: San Bernardino, CA @ San Manuel Amphitheatre

 

For More Info Visit:

http://www.prongmusic.com

https://www.facebook.com/prongmusic

http://www.spv.de

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